Amanda Seyfried’s “Little House” lyrics?

Question by avada_kedavra123: Amanda Seyfried’s “Little House” lyrics?
can someone paste the lyrics of Amanda Seyfried’s single “Little House”? don’t give me a website, just paste please!

Best answer:

Answer by Tyana
Amanda Seyfried’s “Little House” lyrics

I love this place
But it’s haunted without you
My tired heart
Is beating so slow
Our hearts sing less
Than we wanted
We wanted
Our hearts sing ’cause
We do not know
we do not know

To light the night
To help us grow
To help us grow
It is not said
I always know

You can catch me
Don’t you run
Don’t you run
If you live another day
In this happy little house
The fire’s here to stay

To light the night
To help us grow
To help us grow
It is not said
I always know

Please don’t make a fuss
It won’t go away
The wonder of it all
The wonder that I made
I am here to stay

I am here to stay

stay

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Nice Crazy Ex Girlfriend Lyrics photos

Check out these crazy ex girlfriend lyrics images:

The White Mandingos …item 2a.. – My First White Girl (Official Video) …item 3.. Is Kanye West a genius or a lunatic? (Sep. 29, 2013 6:29 PM) — “Where is the culture at?” ..
crazy ex girlfriend lyrics

Image by marsmet474
Kanye West feels he is the new definition of the “Renaissance Man.” That’s because he’s a genius at music (which is kind of indisputable), and so he’s convinced that he’s also a genius at all these other things. He complains about these famous designers, like Fendi and Hedi Slimane, and these giant corporations, like Nike, not giving him the chance he thinks he deserves. It’s silly because West doesn’t hate corporate America, he just wants access to the party. If West truly hated the mainstream, if he really hated corporations as much as he claims, he wouldn’t be begging them to let him in, he wouldn’t make guaranteed hits like “Mercy” from the Cruel Summer album.
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……..*****All images are copyrighted by their respective authors ……..
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… message header for item 1. The White Mandingos: Music That Defies Definition

The group resists definition. "What we’ve come together to do is just an extension of all of our experiences as black men, but we’re not just limited to being black," says Sacha Jenkins, who plays guitar for the group. "I mean, I think our influences aren’t necessarily just black."
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……item 1)…. the musicians … The White Mandingos: Music That Defies Definition

… NPR … www.npr.org/blogs/therecord/

… the record … music news from NPR

by FRANNIE KELLEY
August 13, 201312:00 AM
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img code photo … The White Mandingos

media.npr.org/assets/img/2013/08/12/524628_25166800831167…

The White Mandingos are, from left, Sacha Jenkins, Murs and Darryl Jenifer.

Courtesy of Biz 3 Publicity

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www.npr.org/blogs/therecord/2013/08/15/211396093/the-whit…

Last year Quentin Tarantino’s movie Django Unchained resurrected a word with a lot of ugly associations. Mandingo is the word we use for a group of people from West Africa who call themselves Mandinka, several hundred thousand of whom were sold into slavery. This year three black musicians have claimed the word for themselves, and they’re dropping their debut album under the name The White Mandingos.

The group resists definition. "What we’ve come together to do is just an extension of all of our experiences as black men, but we’re not just limited to being black," says Sacha Jenkins, who plays guitar for the group. "I mean, I think our influences aren’t necessarily just black."
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The White Mandingos – "Mandingo Rally" (Official Video)

NOISEY

video: 2:57 minutes

YouTube

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Jenkins makes his living as a journalist — over the past 20 years he co-founded ego trip magazine, wrote for Vibe and Rolling Stone, has been the editorial director of Mass Appeal and produced TV series for MTV and VH1. He’s a rookie to the music-making game, but his partners in The White Mandingos are industry veterans. Darryl Jenifer has played bass with D.C. punk band Bad Brains for 30 years and worked with musicians as varied as Jonathan Richman, Lauryn Hill, Ric Ocasek and Lil Jon. LA rapper Nick Carter, who goes by the name Murs, has built his career on the independent hip-hop circuit over the past 15 years.

The album The White Mandingos have made is titled The Ghetto Is Tryna Kill Me. And it could be called rap rock. For some people, that, too, is a disparaging term. "Some people" includes Jenkins.

"I don’t like rap rock at all. Like I hate it. I think it’s — it’s terrible!" But, he says, he knew a collaboration with Jenifer and Murs would be interesting. "It’s really cemented in rock ‘n roll. My passion for rock, his pedigree in rock ‘n roll, but also our love and respect for hip-hop. It’s very rare that you have this kind of combination of a guy who’s really, really a rapper. He’s not some dude who wanted to be a singer, who raps a little bit. Like, this is a dude who has rapped for millions of people and is good at what he does."

Jenkins thinks the group’s album sounds like all of its members’ influences: the hip-hop Jenkins grew up with, the rock he found later and the Caribbean records his mom used to play; the West coast style of storytelling rap Murs knows all about; The Isley Brothers, Led Zeppelin, punk and reggae Jenifer was into.

"We came together without a lot of pretense, and trippin on this and that," says Jenifer. "We just look at each other and do what we do. Which is the beauty of it all."

The White Mandingos came together at Jenifer’s house in Woodstock, where he and Jenkins would hang out and jam. But what they were laying down didn’t really add up to anything until Jenkins thought to call Murs.
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The White Mandingos – Warn A Brotha (Official Video)

video: 4:07 minutes …

YouTube
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"Once he hit it with the lyrics," says Jenifer, "it opened up. What you thought was an inconsistency, or a mistake, turned out to be the best thing there."

Murs has been performing hip-hop, wearing Basquiat dreads, at punk and rock festivals since the ’90s. He says all three of the musicians have never quite fit in.

"A term I’ve used before is ‘the only’ — when you go to certain things and you’re the only black person there," he says. "When we started talking over the phone, I was like, ‘Well, why don’t we just tell a story about this kid who is from the hood, gets a record deal as a rock artist and — still trying to maintain his roots in his neighborhood, whilst trying to excel in this new world — and the struggles that might came about.’ And that night I just came up with the 10-song outline."

The narrator is named Tyrone White, born 1988 in New York City. And while that makes him much younger than the White Mandingos, Jenkins says his struggles echo their own.

"Darryl has me by a few years. Like, he was a pioneer, in terms of being a black person who was doing things that weren’t traditional. And when I got into all this stuff in the, you know, mid to late-’80s, it was still kind of weird. If you’re a black kid, you’re only supposed to fit in a box. You’re only supposed to like hip-hop. You’re only supposed to like R&B."
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The White Mandingos – My First White Girl (Official Video)

video: 4:20 minutes

YouTube

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And Murs wanted to talk about interracial relationships.

"Interracial relationships are modern, I think, love songs. And I wanted to tell that story, because that story of black and white people being together is only ‘Ebony and Ivory.’ It’s OK to love someone of another race, but no one actually talks about how weird it is to go to your white girl’s parents house and meet her parents for the first time. And then, how weird it must be for them! And they’re trying to be cool but then they say something awkward, and you don’t want to say anything, cause you’re still a guy trying to impress your girlfriends’ parents — before race."

He says that the music that’s supposed to be talking about what’s happening in his generation is rap — but rap isn’t keeping up.

"A lot of people claim to be progressive," says Murs. "And they make progress — there’s lots of progress being made in mainstream rap, I won’t doubt it — but they still stick to a pop formula. They still make sure it’s mixed by the right person. They still contain a lot of contemporary ideas."

The ideas of the future are facilitated by something no one in The White Mandingos had when they were kids: the Internet. All three of them talk about how much money it used to cost them to venture out, to buy albums by groups they’d never heard of. Today, says Murs, up-and-coming musicians know his music and Jay-Z’s music, and they didn’t have to spend a dime to find it. "They just — YouTube, YouTube, YouTube, YouTube, YouTube. So their influences are vast."

Not only is access to culture cheaper and more convenient than it was in the ’70s and ’80s, many of the next generation of musicians, especially those knocking down the cubicles of genre like Tyler, Earl Sweatshirt and Chance the Rapper, are on a more equal playing field than Murs, Jenkins and Jenifer were.

"You’re dealing with the economic development of the black community," says Murs. "Tyler’s mom is not in the projects. Earl’s mom is very — they come from very intelligent, well-educated families, and now we’re getting very intelligent, well-educated kids with foul mouths. They grew up on No Limit, Cash Money, but they went to private schools and they read a lot." Murs says he was similar, listening to Ice Cube and reading Thomas Pynchon, but he was alone in it.
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The White Mandingos "The Ghetto Is Tryna Kill Me" dir by Jason Goldwatch

video: 2:44 minutes

YouTube

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Jenifer says what the kids are into always sounds strange to the grownups. "One time my aunt told me she thought I made vulgar music. She thought I almost was making evil music. But I had to tell her that’s almost compared to when the thunder and lightning is clapping, like a little kid will cry, but it’s a glorious event. It’s not a negative event."

Jenkins has been getting clowned for boundary defiance since he was a kid: "When I was riding a skateboard in the ’80s people in my neighborhood threw 40-ounces at me." It still happens: "Daryl, he says that I play like a quote-unquote white boy," says Jenkins. "You talk like one, too," says Murs. "Yeah, OK, I talk like one too." "That shirt’s kinda doing it too," adds Jenifer. "My shirt? My shirt’s making more like a white boy too. Anyway — I’m sorry I don’t have FUBU on." But now everybody’s laughing and nobody’s throwing anything.

The Ghetto Is Tryna Kill Me tells the life story of a fictional character, but it sounds like the life story of three real people. "If it can connect with a kid," says Jenkins, "and it’s not just black kids — I think kids in general are looking for identity. And they’re always looking for people to look to who are confident in who they are. If you listen to the entire record you see the evolution of a person who makes mistakes, who comes from mistakes, who wants to do the right thing — and sometimes does and he doesn’t. But that doesn’t mean you can’t be proud of who you are. That doesn’t mean you can’t go against the grain."
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older
Hip-Hop Turns 40
August 11, 2013
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…..item 2a)…. youtube video … The White Mandingos – My First White Girl (Official Video) … 4:19 minutes …

www.youtube.com/watch?v=3RFpVzevVL8

FatBeatsRecords

Published on Jun 11, 2013

"My First White Girl" from The White Mandingos’ (Murs, Darryl Jenifer of Bad Brains and Sacha Jenkins SHR) debut album, The Ghetto Is Tryna Kill Me. in stores 06/11/2013.

Directed by Chris Roe.

© 2013 Fat Beats Records.

facebook.com/whitemandingos
www.facebook.com/fatbeats

Category
Music

License
Standard YouTube License
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…..item 2b)…. youtube video … The White Mandingos – "Mandingo Rally" (Official Video) … 2:56 minutes …

www.youtube.com/watch?v=Orsymh-jqj8

Noisey

Published on May 1, 2013
You Should Subscribe Here Now: bit.ly/VErZkw
Here’s the video for "Mandingo Rally" from the White Mandingos, the band had this to say:

"’Mandingo Rally’ is a sonic rally organized by The White Mandingos (AKA Murs, Darryl Jenifer and Sacha Jenkins SHR). Inside of this rally, Cali rap killer Murs (AKA Tyrone White) drops Jewels for you to find. But once you find them, he snatches them right back. Because you have to earn these jewels. Murs rocks like a flamethrower atop a beat sicker than Leather Face. Breezy, Weezy, Jeezy, Cheezy–all of y’all best protect ya neck."

Get "Mandingo Rally" on limited 7" vinyl: www.fatbeats.com/products/the-...
Stream it: soundcloud.com/whitemandingos…

CREDITS:
Directed by: Kellen Dengler
2nd DP: Jason Shaltz
Produced by: Ingrid Campos
Wardrobe: Jean Chong
Production Assistant: Jason Burke

"Mandingo Rally" will appear on the White Mandingos’ debut album, ‘The Ghetto’s Tryna Kill Me’ out June 11th on Fat Beats. Check out the track list below and head over to www.noisey.com/music-video-pre...

1. The Ghetto Is Tryna Kill Me
2. Black-N-White
3. Warn A Brotha
4. Wifey
5. King Of New York
6. Black Girl Toof
7. I Don’t Understand
8. My Weapon
9. My First White Girl
10. Guilty Of Being White
11. What You Waitin’ On?
12. I Like You
13. Wesley Snipes
14. Mandingo Rally
15. Too Late

Thanks!
www.facebook.com/WhiteMandingos
twitter.com/whitemandingos

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Follow Noisey on Twitter: twitter.com/noiseymusic
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Category
Music

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Standard YouTube License
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…..item 2c)…. youtube video … The White Mandingos "The Ghetto Is Tryna Kill Me" dir by Jason Goldwatch … 2:43 minutes …

www.youtube.com/watch?v=bXMzr-jp76o

massappeal

Published on Mar 27, 2013

The White Mandingos (Murs, Bad Brains’ Daryl Jenifer and Sacha Jenkins SHR) present"The Ghetto Is Tryna Kill Me"; LP of the same name drops June 11th on Fat Beats records and tapes. Directed by Jason Goldwatch.

facebook.com/whitemandingos

Category
Music

License
Standard YouTube License
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…..item 3)…. Is Kanye West a genius or a lunatic? …

… FSU News … www.fsunews.com/
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img code photo … Musician Kanye West

cmsimg.tallahassee.com/apps/pbcsi.dll/bilde?Site=CD&D…

Musician Kanye West attends the Diesel Black Gold fashion show during Mercedes-Benz Fashion Week Spring 2014 at Vanderbilt Hall at Grand Central Terminal on September 10, 2013 in New York City. / Photo by Chelsea Lauren / Getty Images

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Sep. 29, 2013 6:29 PM |

Written by
Brendan Bures
Editor-in-Chief @BrenBures

FILED UNDER
FSU News
FSU News Views

www.fsunews.com/article/20130930/FSVIEW03/130929008/Is-Ka…

Question: If a man stood in the center of a crowd, yelling absolute truths about the world, and everyone in the crowd pointed and laughed at this man, should he be considered genius? Or is everyone around him apathetic and dumb?

Following what seems like a real feud between Kanye West and Jimmy Kimmel, which resulted in Kanye’s stan army yet again defending the man against the rest of America, that question feels more appropriate than ever. It all started with BBC Radio One’s Zane Lowe interviewing Kanye West, an act that seems more and more like a cultural event with each new interview. Kanye is great as he’s ever been in the interview, speaking on music’s downward trend and its place within the art community; the making of and cultural and critical reception to his new album Yeezus; the inherent problems with capitalism and corporate America; but then Kanye West begins speaking on fashion and his rhetoric turns to rant.

“Where is the culture at?” West starts, later adding, “ me and Virgil are in Rome giving designs to Fendi over and over and gettin’ our designs knocked down. Brought the leather jogging pants six years ago to Fendi, and they said no. How many mother****ers you done seen with a leather jogging pants?”

React how you will, but Jimmy Kimmel, in his continuation as America’s greatest troll-master, perverts West’s interview and recreates the interview with children reciting quotes from the transcript. It’s a brilliant bit as there’s no better way to mock someone acting like a child than to have an actual child act like that person. Predictably, West retorted and ranted on Twitter about how his interview was the “first piece of honest media in years,” posting about how Sarah Silverman, Kimmel’s ex, is funnier than him and posting about how Kimmel has never received good…we’ll say sex for PG purposes. (Interestingly enough, these Tweets have since been deleted.)

Kimmel responded on air, by simply reading these Tweets to his audience, which is predisposed to believe Kanye is crazy, and signing the bit off saying, “Thank you, Kanye. I appreciate it.” Let’s break this down to who’s right and wrong, because nothing is ever simple when it comes to Kanye West.

The biggest problem with this “feud” is that Kanye West broke the No. 1 celebrity rule when dealing with comedians: Never enter a public fight with them because they will always win. A comedian’s job is to make fun of someone, to mock them in a public sphere, and if you have anything negative to say about them, they will probably say it first and funnier. This is why Kimmel literally thanks Kanye on-air, he knows he will win and gain attention in the process.

The other problem is that most of America will never like Kanye for what he said about George Bush, for the Taylor Swift incident, for throwing the double-bird to white America on Watch the Throne. Hell, even the President of the United States, Barack Obama, called him a “jackass.” My parents (and probably most parents) hate Kanye West because of all of that and the fact that most mainstream media only covers him when he does something reactionary or incendiary.

So Kanye West is fighting a battle he’s not supposed to or going to win, but is fighting based on his rather large ego, which is what got him in trouble in the first place. Most of what West says in the BBC interview is genius, but whenever he talks about fashion, he sounds like the kid complaining to his mom because his brother won’t let him play too. West believes because he’s as famous and successful as he is that the fashion world should simply accept, listen and praise his ideas.

Kanye West feels he is the new definition of the “Renaissance Man.” That’s because he’s a genius at music (which is kind of indisputable), and so he’s convinced that he’s also a genius at all these other things. He complains about these famous designers, like Fendi and Hedi Slimane, and these giant corporations, like Nike, not giving him the chance he thinks he deserves. It’s silly because West doesn’t hate corporate America, he just wants access to the party. If West truly hated the mainstream, if he really hated corporations as much as he claims, he wouldn’t be begging them to let him in, he wouldn’t make guaranteed hits like “Mercy” from the Cruel Summer album.

This is what Kimmel is mocking, because most celebrities (including West) inherently understand the insidious nature of mainstream capitalism in America: Anything that attempts to subvert culture will temporarily work, but the tentacles of capitalism will eventually grab hold and make a profit from it. Look at rap, or better yet, read what West says: “Rap the new rock n’ roll! We culture! Rap is the new rock n’ roll! We the rock stars!” later claiming he’s the biggest rock star.

He’s right. With the exception of generic pop music, no other genre in America is more popular than rap music. It used to be something white, middle-class kids like myself weren’t supposed to listen to, it was something we should fear in the days of N.W.A. and Public Enemy, back in the days most rap had something to say. Now it’s on the radio, in the clubs, at sporting events, Jay Z is touring with Justin Timberlake, an event unbelievable 15 years ago. Capitalism and the willingness of other rappers to sell out did all of that.

West alludes to all of that throughout the interview, calling trap music “commercialized,” which it is, and that “rappers is the new R&B n****s” (e.g. Drake, Future, Wale, J. Cole). Where we run into trouble as a culture is because West said one—okay, a lot of ridiculous things, we dismiss everything else he says. We want to paint him black and white, he’s either a lunatic or a genius for many, and nobody wants to classify him in all of his wonderful shades of gray.

Kanye West asks in the BBC interview, “It’s funny, you drive in a Maybach past a homeless person and you ask, ‘who’s more free?’ You can be trapped to your possessions.” It’s one of the more provocative, illuminating questions asked in years on a national stage, but we want to castigate him because West acts like a child for 10 minutes of an hour-long interview. However, West makes his own bed, because, although he has something important to say, he continues to allow people to paint him in that light with these stupid public feuds he will never win. Jimmy Kimmel is slightly to blame for feeding it, but then again, Kimmel is the best public figure at pointing to America’s absurdity and the idiocy of American Exceptionalism. (See Kimmel trolling the Internet when he planted the fake twerking fail video.)

In the end, Kanye West wants to be a visionary without the costs that such a reputation entails. He still wants everyone to like him, but that’s not how it works. As frustrated as he might be, he needs to learn how to play the game if he wants his vision to succeed.

After all, what good are the words of a genius if nobody’s listening?
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The White Mandingos …item 2a.. – My First White Girl (Official Video) …item 3.. Is Kanye West a genius or a lunatic? (Sep. 29, 2013 6:29 PM) — “Where is the culture at?” …
crazy ex girlfriend lyrics

Image by marsmet473a
Kanye West feels he is the new definition of the “Renaissance Man.” That’s because he’s a genius at music (which is kind of indisputable), and so he’s convinced that he’s also a genius at all these other things. He complains about these famous designers, like Fendi and Hedi Slimane, and these giant corporations, like Nike, not giving him the chance he thinks he deserves. It’s silly because West doesn’t hate corporate America, he just wants access to the party. If West truly hated the mainstream, if he really hated corporations as much as he claims, he wouldn’t be begging them to let him in, he wouldn’t make guaranteed hits like “Mercy” from the Cruel Summer album.
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……..*****All images are copyrighted by their respective authors ……..
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*** ACHTUNG, BITTE NOTIZ
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… marsmet474 photostream … Page 1

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… message header for item 1. The White Mandingos: Music That Defies Definition

The group resists definition. "What we’ve come together to do is just an extension of all of our experiences as black men, but we’re not just limited to being black," says Sacha Jenkins, who plays guitar for the group. "I mean, I think our influences aren’t necessarily just black."
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……item 1)…. the musicians … The White Mandingos: Music That Defies Definition

… NPR … www.npr.org/blogs/therecord/

… the record … music news from NPR

by FRANNIE KELLEY
August 13, 201312:00 AM
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img code photo … The White Mandingos

media.npr.org/assets/img/2013/08/12/524628_25166800831167…

The White Mandingos are, from left, Sacha Jenkins, Murs and Darryl Jenifer.

Courtesy of Biz 3 Publicity

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www.npr.org/blogs/therecord/2013/08/15/211396093/the-whit…

Last year Quentin Tarantino’s movie Django Unchained resurrected a word with a lot of ugly associations. Mandingo is the word we use for a group of people from West Africa who call themselves Mandinka, several hundred thousand of whom were sold into slavery. This year three black musicians have claimed the word for themselves, and they’re dropping their debut album under the name The White Mandingos.

The group resists definition. "What we’ve come together to do is just an extension of all of our experiences as black men, but we’re not just limited to being black," says Sacha Jenkins, who plays guitar for the group. "I mean, I think our influences aren’t necessarily just black."
.
………………….

The White Mandingos – "Mandingo Rally" (Official Video)

NOISEY

video: 2:57 minutes

YouTube

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.

Jenkins makes his living as a journalist — over the past 20 years he co-founded ego trip magazine, wrote for Vibe and Rolling Stone, has been the editorial director of Mass Appeal and produced TV series for MTV and VH1. He’s a rookie to the music-making game, but his partners in The White Mandingos are industry veterans. Darryl Jenifer has played bass with D.C. punk band Bad Brains for 30 years and worked with musicians as varied as Jonathan Richman, Lauryn Hill, Ric Ocasek and Lil Jon. LA rapper Nick Carter, who goes by the name Murs, has built his career on the independent hip-hop circuit over the past 15 years.

The album The White Mandingos have made is titled The Ghetto Is Tryna Kill Me. And it could be called rap rock. For some people, that, too, is a disparaging term. "Some people" includes Jenkins.

"I don’t like rap rock at all. Like I hate it. I think it’s — it’s terrible!" But, he says, he knew a collaboration with Jenifer and Murs would be interesting. "It’s really cemented in rock ‘n roll. My passion for rock, his pedigree in rock ‘n roll, but also our love and respect for hip-hop. It’s very rare that you have this kind of combination of a guy who’s really, really a rapper. He’s not some dude who wanted to be a singer, who raps a little bit. Like, this is a dude who has rapped for millions of people and is good at what he does."

Jenkins thinks the group’s album sounds like all of its members’ influences: the hip-hop Jenkins grew up with, the rock he found later and the Caribbean records his mom used to play; the West coast style of storytelling rap Murs knows all about; The Isley Brothers, Led Zeppelin, punk and reggae Jenifer was into.

"We came together without a lot of pretense, and trippin on this and that," says Jenifer. "We just look at each other and do what we do. Which is the beauty of it all."

The White Mandingos came together at Jenifer’s house in Woodstock, where he and Jenkins would hang out and jam. But what they were laying down didn’t really add up to anything until Jenkins thought to call Murs.
.
…………………..

The White Mandingos – Warn A Brotha (Official Video)

video: 4:07 minutes …

YouTube
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.

"Once he hit it with the lyrics," says Jenifer, "it opened up. What you thought was an inconsistency, or a mistake, turned out to be the best thing there."

Murs has been performing hip-hop, wearing Basquiat dreads, at punk and rock festivals since the ’90s. He says all three of the musicians have never quite fit in.

"A term I’ve used before is ‘the only’ — when you go to certain things and you’re the only black person there," he says. "When we started talking over the phone, I was like, ‘Well, why don’t we just tell a story about this kid who is from the hood, gets a record deal as a rock artist and — still trying to maintain his roots in his neighborhood, whilst trying to excel in this new world — and the struggles that might came about.’ And that night I just came up with the 10-song outline."

The narrator is named Tyrone White, born 1988 in New York City. And while that makes him much younger than the White Mandingos, Jenkins says his struggles echo their own.

"Darryl has me by a few years. Like, he was a pioneer, in terms of being a black person who was doing things that weren’t traditional. And when I got into all this stuff in the, you know, mid to late-’80s, it was still kind of weird. If you’re a black kid, you’re only supposed to fit in a box. You’re only supposed to like hip-hop. You’re only supposed to like R&B."
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The White Mandingos – My First White Girl (Official Video)

video: 4:20 minutes

YouTube

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And Murs wanted to talk about interracial relationships.

"Interracial relationships are modern, I think, love songs. And I wanted to tell that story, because that story of black and white people being together is only ‘Ebony and Ivory.’ It’s OK to love someone of another race, but no one actually talks about how weird it is to go to your white girl’s parents house and meet her parents for the first time. And then, how weird it must be for them! And they’re trying to be cool but then they say something awkward, and you don’t want to say anything, cause you’re still a guy trying to impress your girlfriends’ parents — before race."

He says that the music that’s supposed to be talking about what’s happening in his generation is rap — but rap isn’t keeping up.

"A lot of people claim to be progressive," says Murs. "And they make progress — there’s lots of progress being made in mainstream rap, I won’t doubt it — but they still stick to a pop formula. They still make sure it’s mixed by the right person. They still contain a lot of contemporary ideas."

The ideas of the future are facilitated by something no one in The White Mandingos had when they were kids: the Internet. All three of them talk about how much money it used to cost them to venture out, to buy albums by groups they’d never heard of. Today, says Murs, up-and-coming musicians know his music and Jay-Z’s music, and they didn’t have to spend a dime to find it. "They just — YouTube, YouTube, YouTube, YouTube, YouTube. So their influences are vast."

Not only is access to culture cheaper and more convenient than it was in the ’70s and ’80s, many of the next generation of musicians, especially those knocking down the cubicles of genre like Tyler, Earl Sweatshirt and Chance the Rapper, are on a more equal playing field than Murs, Jenkins and Jenifer were.

"You’re dealing with the economic development of the black community," says Murs. "Tyler’s mom is not in the projects. Earl’s mom is very — they come from very intelligent, well-educated families, and now we’re getting very intelligent, well-educated kids with foul mouths. They grew up on No Limit, Cash Money, but they went to private schools and they read a lot." Murs says he was similar, listening to Ice Cube and reading Thomas Pynchon, but he was alone in it.
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The White Mandingos "The Ghetto Is Tryna Kill Me" dir by Jason Goldwatch

video: 2:44 minutes

YouTube

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Jenifer says what the kids are into always sounds strange to the grownups. "One time my aunt told me she thought I made vulgar music. She thought I almost was making evil music. But I had to tell her that’s almost compared to when the thunder and lightning is clapping, like a little kid will cry, but it’s a glorious event. It’s not a negative event."

Jenkins has been getting clowned for boundary defiance since he was a kid: "When I was riding a skateboard in the ’80s people in my neighborhood threw 40-ounces at me." It still happens: "Daryl, he says that I play like a quote-unquote white boy," says Jenkins. "You talk like one, too," says Murs. "Yeah, OK, I talk like one too." "That shirt’s kinda doing it too," adds Jenifer. "My shirt? My shirt’s making more like a white boy too. Anyway — I’m sorry I don’t have FUBU on." But now everybody’s laughing and nobody’s throwing anything.

The Ghetto Is Tryna Kill Me tells the life story of a fictional character, but it sounds like the life story of three real people. "If it can connect with a kid," says Jenkins, "and it’s not just black kids — I think kids in general are looking for identity. And they’re always looking for people to look to who are confident in who they are. If you listen to the entire record you see the evolution of a person who makes mistakes, who comes from mistakes, who wants to do the right thing — and sometimes does and he doesn’t. But that doesn’t mean you can’t be proud of who you are. That doesn’t mean you can’t go against the grain."
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older
Hip-Hop Turns 40
August 11, 2013
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…..item 2a)…. youtube video … The White Mandingos – My First White Girl (Official Video) … 4:19 minutes …

www.youtube.com/watch?v=3RFpVzevVL8

FatBeatsRecords

Published on Jun 11, 2013

"My First White Girl" from The White Mandingos’ (Murs, Darryl Jenifer of Bad Brains and Sacha Jenkins SHR) debut album, The Ghetto Is Tryna Kill Me. in stores 06/11/2013.

Directed by Chris Roe.

© 2013 Fat Beats Records.

facebook.com/whitemandingos
www.facebook.com/fatbeats

Category
Music

License
Standard YouTube License
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…..item 2b)…. youtube video … The White Mandingos – "Mandingo Rally" (Official Video) … 2:56 minutes …

www.youtube.com/watch?v=Orsymh-jqj8

Noisey

Published on May 1, 2013
You Should Subscribe Here Now: bit.ly/VErZkw
Here’s the video for "Mandingo Rally" from the White Mandingos, the band had this to say:

"’Mandingo Rally’ is a sonic rally organized by The White Mandingos (AKA Murs, Darryl Jenifer and Sacha Jenkins SHR). Inside of this rally, Cali rap killer Murs (AKA Tyrone White) drops Jewels for you to find. But once you find them, he snatches them right back. Because you have to earn these jewels. Murs rocks like a flamethrower atop a beat sicker than Leather Face. Breezy, Weezy, Jeezy, Cheezy–all of y’all best protect ya neck."

Get "Mandingo Rally" on limited 7" vinyl: www.fatbeats.com/products/the-...
Stream it: soundcloud.com/whitemandingos…

CREDITS:
Directed by: Kellen Dengler
2nd DP: Jason Shaltz
Produced by: Ingrid Campos
Wardrobe: Jean Chong
Production Assistant: Jason Burke

"Mandingo Rally" will appear on the White Mandingos’ debut album, ‘The Ghetto’s Tryna Kill Me’ out June 11th on Fat Beats. Check out the track list below and head over to www.noisey.com/music-video-pre...

1. The Ghetto Is Tryna Kill Me
2. Black-N-White
3. Warn A Brotha
4. Wifey
5. King Of New York
6. Black Girl Toof
7. I Don’t Understand
8. My Weapon
9. My First White Girl
10. Guilty Of Being White
11. What You Waitin’ On?
12. I Like You
13. Wesley Snipes
14. Mandingo Rally
15. Too Late

Thanks!
www.facebook.com/WhiteMandingos
twitter.com/whitemandingos

**
Subscribe to Noisey on YouTube to stay updated on our daily releases: www.youtube.com/noisey
Videos, daily editorial and more: www.noisey.com
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Follow Noisey on Twitter: twitter.com/noiseymusic
Read our tumblr: noiseymusic.tumblr.com

Category
Music

License
Standard YouTube License
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…..item 2c)…. youtube video … The White Mandingos "The Ghetto Is Tryna Kill Me" dir by Jason Goldwatch … 2:43 minutes …

www.youtube.com/watch?v=bXMzr-jp76o

massappeal

Published on Mar 27, 2013

The White Mandingos (Murs, Bad Brains’ Daryl Jenifer and Sacha Jenkins SHR) present"The Ghetto Is Tryna Kill Me"; LP of the same name drops June 11th on Fat Beats records and tapes. Directed by Jason Goldwatch.

facebook.com/whitemandingos

Category
Music

License
Standard YouTube License
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…..item 3)…. Is Kanye West a genius or a lunatic? …

… FSU News … www.fsunews.com/
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img code photo … Musician Kanye West

cmsimg.tallahassee.com/apps/pbcsi.dll/bilde?Site=CD&D…

Musician Kanye West attends the Diesel Black Gold fashion show during Mercedes-Benz Fashion Week Spring 2014 at Vanderbilt Hall at Grand Central Terminal on September 10, 2013 in New York City. / Photo by Chelsea Lauren / Getty Images

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Sep. 29, 2013 6:29 PM |

Written by
Brendan Bures
Editor-in-Chief @BrenBures

FILED UNDER
FSU News
FSU News Views

www.fsunews.com/article/20130930/FSVIEW03/130929008/Is-Ka…

Question: If a man stood in the center of a crowd, yelling absolute truths about the world, and everyone in the crowd pointed and laughed at this man, should he be considered genius? Or is everyone around him apathetic and dumb?

Following what seems like a real feud between Kanye West and Jimmy Kimmel, which resulted in Kanye’s stan army yet again defending the man against the rest of America, that question feels more appropriate than ever. It all started with BBC Radio One’s Zane Lowe interviewing Kanye West, an act that seems more and more like a cultural event with each new interview. Kanye is great as he’s ever been in the interview, speaking on music’s downward trend and its place within the art community; the making of and cultural and critical reception to his new album Yeezus; the inherent problems with capitalism and corporate America; but then Kanye West begins speaking on fashion and his rhetoric turns to rant.

“Where is the culture at?” West starts, later adding, “ me and Virgil are in Rome giving designs to Fendi over and over and gettin’ our designs knocked down. Brought the leather jogging pants six years ago to Fendi, and they said no. How many mother****ers you done seen with a leather jogging pants?”

React how you will, but Jimmy Kimmel, in his continuation as America’s greatest troll-master, perverts West’s interview and recreates the interview with children reciting quotes from the transcript. It’s a brilliant bit as there’s no better way to mock someone acting like a child than to have an actual child act like that person. Predictably, West retorted and ranted on Twitter about how his interview was the “first piece of honest media in years,” posting about how Sarah Silverman, Kimmel’s ex, is funnier than him and posting about how Kimmel has never received good…we’ll say sex for PG purposes. (Interestingly enough, these Tweets have since been deleted.)

Kimmel responded on air, by simply reading these Tweets to his audience, which is predisposed to believe Kanye is crazy, and signing the bit off saying, “Thank you, Kanye. I appreciate it.” Let’s break this down to who’s right and wrong, because nothing is ever simple when it comes to Kanye West.

The biggest problem with this “feud” is that Kanye West broke the No. 1 celebrity rule when dealing with comedians: Never enter a public fight with them because they will always win. A comedian’s job is to make fun of someone, to mock them in a public sphere, and if you have anything negative to say about them, they will probably say it first and funnier. This is why Kimmel literally thanks Kanye on-air, he knows he will win and gain attention in the process.

The other problem is that most of America will never like Kanye for what he said about George Bush, for the Taylor Swift incident, for throwing the double-bird to white America on Watch the Throne. Hell, even the President of the United States, Barack Obama, called him a “jackass.” My parents (and probably most parents) hate Kanye West because of all of that and the fact that most mainstream media only covers him when he does something reactionary or incendiary.

So Kanye West is fighting a battle he’s not supposed to or going to win, but is fighting based on his rather large ego, which is what got him in trouble in the first place. Most of what West says in the BBC interview is genius, but whenever he talks about fashion, he sounds like the kid complaining to his mom because his brother won’t let him play too. West believes because he’s as famous and successful as he is that the fashion world should simply accept, listen and praise his ideas.

Kanye West feels he is the new definition of the “Renaissance Man.” That’s because he’s a genius at music (which is kind of indisputable), and so he’s convinced that he’s also a genius at all these other things. He complains about these famous designers, like Fendi and Hedi Slimane, and these giant corporations, like Nike, not giving him the chance he thinks he deserves. It’s silly because West doesn’t hate corporate America, he just wants access to the party. If West truly hated the mainstream, if he really hated corporations as much as he claims, he wouldn’t be begging them to let him in, he wouldn’t make guaranteed hits like “Mercy” from the Cruel Summer album.

This is what Kimmel is mocking, because most celebrities (including West) inherently understand the insidious nature of mainstream capitalism in America: Anything that attempts to subvert culture will temporarily work, but the tentacles of capitalism will eventually grab hold and make a profit from it. Look at rap, or better yet, read what West says: “Rap the new rock n’ roll! We culture! Rap is the new rock n’ roll! We the rock stars!” later claiming he’s the biggest rock star.

He’s right. With the exception of generic pop music, no other genre in America is more popular than rap music. It used to be something white, middle-class kids like myself weren’t supposed to listen to, it was something we should fear in the days of N.W.A. and Public Enemy, back in the days most rap had something to say. Now it’s on the radio, in the clubs, at sporting events, Jay Z is touring with Justin Timberlake, an event unbelievable 15 years ago. Capitalism and the willingness of other rappers to sell out did all of that.

West alludes to all of that throughout the interview, calling trap music “commercialized,” which it is, and that “rappers is the new R&B n****s” (e.g. Drake, Future, Wale, J. Cole). Where we run into trouble as a culture is because West said one—okay, a lot of ridiculous things, we dismiss everything else he says. We want to paint him black and white, he’s either a lunatic or a genius for many, and nobody wants to classify him in all of his wonderful shades of gray.

Kanye West asks in the BBC interview, “It’s funny, you drive in a Maybach past a homeless person and you ask, ‘who’s more free?’ You can be trapped to your possessions.” It’s one of the more provocative, illuminating questions asked in years on a national stage, but we want to castigate him because West acts like a child for 10 minutes of an hour-long interview. However, West makes his own bed, because, although he has something important to say, he continues to allow people to paint him in that light with these stupid public feuds he will never win. Jimmy Kimmel is slightly to blame for feeding it, but then again, Kimmel is the best public figure at pointing to America’s absurdity and the idiocy of American Exceptionalism. (See Kimmel trolling the Internet when he planted the fake twerking fail video.)

In the end, Kanye West wants to be a visionary without the costs that such a reputation entails. He still wants everyone to like him, but that’s not how it works. As frustrated as he might be, he needs to learn how to play the game if he wants his vision to succeed.

After all, what good are the words of a genius if nobody’s listening?
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8 Mile: Music from and Inspired by the Motion Picture

8 Mile: Music from and Inspired by the Motion Picture

8 Mile: Music from and Inspired by the Motion Picture

Tracks include: 1. Lose Yourself – Eminem 5:20 2. Love Me – Eminem/Obie Trice/50 Cent 4:31 3. 8 Mile – Eminem 5:59 4. Adrenaline Rush – Obie Trice 3:49 5. Places To Go – 50 Cent 4:15 6. Rap Game – D-12 5:54 7. 8 Miles And Runnin’ – Jay-Z featuring Freeway 4:08 8. Spitshine – Xzibit 3:39 9. Time Of My Life – Macy Gray 4:21 10. U Wanna Be Me – Nas 3:50 11. Wanksta – 50 Cent 3:38 12. Wastin’ My Time – Boomkat (Taryn Manning) 3:38 13. R.A.K.I.M. – Rakim 4:23 14. That’s My N**** Fo’ Real – Young Zee

List Price: $ 10.99

Price:

what are the lyrics to homecoming queen by hinder?

Question by hinder: what are the lyrics to homecoming queen by hinder?
that is like a bad a$ $ song listen to it

Best answer:

Answer by Aly
Here ya go:

It’s been five years since Ive seen her face
She’s the holy ghost lost without a trace
And now were left with the what ifs
It’s been five years since she left for LA
She’s an angel with a dirty face
And it seems to me
She’s a casuality of all the pressure
That we put on her
And now we’ve lost her for good
It’s such a shame shame shame
That our homecoming queen
Was a lot like you and a lot like me
And she never walked on water
Guess no one really saw her

She was so adored by everyone
When it came to looks she was next to none
But loved partying and having too much fun
Then she hooked up with the wrong someone
And he promised everything under the sun
And it seems to me
She’s a casuality of all the pressure
That he put on her
And now we’ve lost her for good
It’s such a shame shame shame
That our homecoming queen
Was a lot like you and a lot like me
And she never walked on water
Cause no one really saw her
It’s such a shame shame shame
That our homecoming queen
Had a lot to prove and so many to please
She’s just somebody’s daughter
Just looking for somebody to love her

Well I never knew you
Wish I could’ve saved you
From losers that drained you
Before you got strung out
With so much potential
How could you let us down
It’s such a shame shame shame
That our homecoming queen
Was a lot like you and a lot like me
And she never walked on water
Cause no one really saw her
Shame shame shame
That our homecoming queen
Had a lot to prove and so many to please
She’s just somebody’s daughter
Just looking for somebody to love her
She’s just somebody’s daughter
Just looking for somebody to love her

It’s such a shame shame shame…

Give your answer to this question below!

Announcing Lisa Marie Presley at Uptown Theatre Napa on 8/30/13


Napa, CA (PRWEB) July 26, 2013

With all the hoopla that has surrounded her, its easy to forget that Lisa Marie Presley is at heart a simple Southern girl whose earliest musical memories are of obsessively listening to 45s in her bedroom at Graceland and of her dad catching her singing into a hairbrush in front of a mirror at the age of three. The Memphis-born Presley reclaims those roots on her new album Storm & Grace an Americana-inspired showcase for her songwriting talent and smoldering alto voice.

Produced with elegant restraint by 12-time Grammy Award-winner T Bone Burnett, Storm & Grace is a marked departure from Presleys previous albums, 2003s gold-certified To Whom It May Concern and 2005s Now What, which both debuted in the Top 10 on Billboards Top 200 chart, I love the songs, but I think I was hiding behind a lot of sonic layers because it was scary to go out there, Presley says. Its easier to bury yourself in the noise so you dont stand out. This album is a lot more stripped-down and naked, both musically and lyrically.

Tickets for Lisa Marie Presley plus The Deadlies are $ 30. They are on sale now and can be purchased through the theatre website at http://www.uptowntheatrenapa.com, at Ticketmaster (http://www.ticketmaster.com) or at the theatre box office (please call 707.259.0123 ext. 6 for hours). To find out more, please visit http://www.uptowntheatrenapa.com.

Latest Leonard Cohen Lyrics News

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“I thought 'you know, this song doesn't have to be like Leonard Cohen. It can be a fluffy pop confection'. And we need confection. You don't want everything to be like a kale salad: sometimes you want a plate of gummi worms.” Sheff's love of pop may …
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REVIEW: Martha Tilston
Her songs quickly draw you into her views of the world becoming quite captivating in their lyrics with sharp observations and evocative phrases. She has a sweet and flexible voice, complemented by sensitive guitar picking; both her guitar playing and …
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Spiderwebs

Check out these spiderwebs lyrics images:

Spiderwebs
spiderwebs lyrics

Image by sirwiseowl
Spiderwebs Lyrics
You think that we connect
That the chemistry’s correct
Your words walk right through my ears
Presuming I like what I hear
And now I’m stuck in the
The web you’re spinning
You’ve got me for your prey

(Yeah) Sorry I’m not home right now
I’m walking into spiderwebs
So leave a message
And I’ll call you back
A likely story, but (Yeah) leave a message
And I’ll call you back

You’re intruding on what’s mine
And you’re taking up my time
Don’t have the courage inside me
To tell you please let me be

Communication, a telephonic invasion
I’m planning my escape…

(Yeah) Sorry I’m not home right now
I’m walking into spiderwebs
So leave a message
And I’ll call you back
A likely story, but (Yeah) leave a message
And I’ll call you back

And it’s all your fault
I screen my phone calls
No matter who calls
I gotta screen my phone calls

Now it’s gone to deep (Now, it’s gone too deep)
You wake me in my sleep (Wake me in my sleep)
My dreams become nightmares (Dreams become nightmares)
‘Cause you’re ringing in my ears

(Yeah) Sorry I’m not home right now
I’m walking into spiderwebs
So leave a message
And I’ll call you back
A likely story, but (Yeah) leave a message
And I’ll call you back

And it’s all your fault
I screen my phone calls
No matter-matter-matter-matter who calls
I gotta screen my phone calls

Oooh, the spiderwebs
Leave a message and I’ll call you back
I’m walking into spiderwebs
So, leave a message and I’ll call you back
I’m walking into spiderwebs
It’s all your fault, no mattter who calls
I gotta screen my phone calls
It’s all your fault, it’s all your fault
No matter who calls, no matter who calls

I’m walking into spiderwebs so,
Leave a message and I’ll call you back
I’m walking into spiderwebs so,
Leave a message and I’ll call you back

Sorry I’m not home right now, I’m walking in the Spiderwebs
spiderwebs lyrics

Image by M i x y
..leave a message and I’ll call you back.

Václav Neumann & Prague Symphony Orchestra – Peer Gynt. Music to the Dramatic Poem By, H. Ibsen, Op. 46 & 55: Suite 2: Peer Gynt’s Homecoming (Peer Gynts Heimkher)


Václav Neumann & Prague Symphony Orchestra – Peer Gynt. Music to the Dramatic Poem By, H. Ibsen, Op. 46 & 55: Suite 2: Peer Gynt’s Homecoming (Peer Gynts Heimkher)

from Mon amour – Grieg: Piano Concerto, Peer Gynt, Lyric Suite, Wedding Day

Price: USD 0.99
View Details about Václav Neumann & Prague Symphony Orchestra